The Al Held Foundation offers programming for educators and professors of studio art and art history. Small groups of students may visit the Foundation grounds for study of works by Al Held in the intimate and inspiring context of his historic home and studio. College and graduate students from Bard, Vassar, SUNY New Paltz, and SUNY Ulster have visited in recent years, as have advanced art students from Onteora High School and Kingston High School. The Foundation will resume offering a hands-on workshop, “Painting with Tape.” During this immersion experience led by Gene Benson (Al Held’s longtime studio manager), participants learn painting techniques developed by Al Held.
The Al Held Foundation is thrilled to continue its partnership with River Valley Arts Collective this year. With several dynamic collaborations planned for early summer into fall, we are pleased to launch the season with a solo exhibition by Chris Domenick. Presented in Al Held's former drawing studio, Song-shaped Sill is comprised of new mixed media work in which Domenick explores the utilitarian objects around which a painted gesture is made—the frame, the easel, the printer's matrix—directing the viewer's attention to the decisions and labor involved in artistic production. He works in a variety of materials, creating assemblages of monoprints, folded paper, leather, painted wood, and polymer clay. Curated by Candice Madey, the exhibition takes place in Boiceville, NY, from April 25 through June 6, 2021.
June 6–October 10, 2021
August 29–October 10, 2021
The Foundation also partners with regional arts organizations like T Space and the Woodstock Artists Association and Museum on special educational events in Al Held’s historic studio.
The Al Held Foundation works with academic institutions in New York City to develop unique programs for the interdisciplinary study of modern art.
During the 2020 – 2022 academic years, the Foundation is a lead sponsor of a new series of programs at the CUNY Graduate Center, “Art and Science Connect.”
In fall 2018 the Foundation organized the symposium “Norman Kleeblatt at Work: Conversations on a Curatorial Practice” at the Institute of Fine Arts, New York University, surveying the wide-ranging impact of the exhibitions and scholarship of the former chief curator of The Jewish Museum.
Bending Concepts: The Held Essays on Visual Art, 2011–2017, published in 2019, compiles 26 essays by leading writers across disciplines from art history, critical theory, fiction, and criticism, such as Claire Bishop, David Levi Strauss, T.J. Demos, Ariella Azoulay, and Sheila Heti. Edited by Jonathan T.D. Neil and Alexander Nagel, these timely texts were originally published in the Brooklyn Rail and underwritten by the Al Held Foundation.
Educators and programmers interested in learning more about group visits and other educational programs may contact firstname.lastname@example.org.