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Al Held
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Paintings
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Watercolors
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Prints
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Public Art
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Exhibitions
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Upcoming
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Past
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Al Held, West End
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Hard-Edge Sacrifice: Alice Aycock, Karl Gerstner, Al Held, Robert Smithson
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Americans in Paris: Artists Working in Postwar France, 1946–1962
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The Visual Elements - Space
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Imaginary I
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The 1960s: Beyond Op and Pop
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The Painter's Hand: U.S. Abstraction since 1950
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Al Held: Works on Paper from 1960
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Al Held: Watercolours
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The Historic Woodstock Art Colony: The Arthur A. Anderson Collection
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Hurry Slowly
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In Dialogue: Unexpected Visual Conversations
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8th Biennial of Painting
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Summer Group Show
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Summer Choices
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Heute Nachte geträumt
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Color: A Spring Exhibition
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City
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Konkret! Hommage an Ulrich Schumacher die Sammlung des Josef Albers Museum Quadrat Bottrop
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Correspondence
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Al Held, Sarah Morris and Takis
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Tracing the Fragments
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Slow Looking/Deep Seeing
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Figure and Form: States of Dissolution
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Al Held: The Sixties
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Les Murs Reculent
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Al Held: Watercolors
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Recent Acquisitions
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Al Held: Modern Maverick
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Encounters
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Bauhaus: Our Play, Our Party, Our Work
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Systems of Viewing
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Abstract USA
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Downtown Painting: Presented by Alex Katz
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Double Edged: Geometric Abstraction Then and Now
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Printing Abstraction
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Lost, Loose and Loved: Foreign Artists in Paris 1944-1968
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Art Within Art: The Everson at 50
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Pollock and the New York School
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Irving Sandler: Points of View
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Spheres of Influence: Al Held, Michael Craig-Martin, Judy Pfaff and Stanley Whitney
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American Masters 1940 – 1980
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1960s: A Survey of the Decade
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Giant Steps: Artists and the 1960s
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Al Held: Paris to New York, 1952-69
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Al Held in Paris: 1952-53
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Pictures without Shadows: A Selection from the Kemp Collection
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Line, Form and Colour – Works from the Berardo Collection
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Al Held – Luminous Constructs: Paintings & Watercolors from the 1990s
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Expanding Space – Ronald Bladen, Al Held, Yvonne Rainer, George Sugarman
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Disorderly Conduct: American Painting and Sculpture, 1960-1990
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NonObjectives
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Shaping a Modern Legacy: Karl and Jennifer Salatka Collect
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Inspired by Matisse: Selected Works from the Collection
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Inventing Downtown: Artist-Run Galleries in New York City, 1952–1965
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Big Picture: Art after 1945
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Al Held: Brushstrokes, India Ink Drawings from 1960
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Al Held: Black and White Paintings 1967
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American Array
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Choice: Contemporary Art from the Akron Art Museum
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Corita Kent and the Language of Pop
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TXT/MSG
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Testing Testing: Painting and Sculpture Since 1960 form the Permanent Collection
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On the Front Lines: Military Veterans at The Art Students League of New York
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Showing Off: Recent Modern and Contemporary Acquisitions
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Al Held: Particular Paradox
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Al Held & Robert Mangold: B/W & Color
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Al Held: Alphabet Paintings 1961–1967
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Al Held: Black and White 1967
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Al Held
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Al Held Paintings 1959
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Al Held: Concrete Abstraction
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Abstract USA 1958-1968: In the Galleries
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Psychedelic: Optical and Visionary Art Since the 1960s
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Pearlstein/Held: Five Decades
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Al Held: Prints 1983 – 1999
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Al Held: Paintings 1989 – 1993
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Al Held: Paintings 1979 – 1985
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Circa 1958: Breaking Ground in American Art
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Al Held: The Evolution of Style
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What is Painting? Contemporary Art from the Collection
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Al Held: Public Projects
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Al Held: Recent Paintings
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Expanding Universe: The Recent Paintings of Al Held
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A Defining Generation, Then and Now: 1961 and 2001
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Al Held in Black and White: Paintings and Works on Paper
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Al Held: Large-Scale Watercolor Paintings
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Al Held: The Last Series
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Thirty-Five Years at Crown Point Press
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Thinking Print: Books to Billboards, 1980 – 1995
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From the Collection: Abstraction, Pure and Impure
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Al Held: Time Past – Time Future
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Al Held: Italian Watercolors
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Al Held: New Paintings
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Al Held: Paintings and Works on Paper
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Al Held, Milton Resnick 1955-1965
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Al Held
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Al Held: The Italian Watercolors
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Three Installations of Al Held paintings at Madison Avenue and 57th Street, New York
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Al Held: New Paintings
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Al Held: After Paris, 1953 – 1955
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Al Held: New Paintings
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Al Held: Watercolors
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For 25 Years: Crown Point Press
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Drawing After 1940
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Al Held: New Paintings
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Al Held: Taxi Cabs 1959
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Al Held: Drawings
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Al Held: Drawings 1980-1986
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Seven American Masters
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Al Held: Recent Paintings
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After Matisse
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Large Drawings
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Contrasts of Form: Geometric Abstract Art 1910 – 1985
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Al Held: New Paintings
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Al Held: Four Phases 1957 – 1984
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Action Precision: The New Direction in New York 1955 – 1960
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Al Held: Paintings
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American Art Since 1970
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Al Held: Zeichnungen von 1976
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Language, Drama, Source & Vision
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Abstract Painting: 1960-69
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Al Held: New Paintings
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Al Held: New Paintings 1980
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Art in Our Time
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Al Held: 1959-1961
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L'Amerique aux Independents 1944 – 1980
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Constructivism and the Geometric Tradition: Selections from the McCrory Corporation Collection
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The 1970s: New American Painting
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Art Inc.: American Paintings from Corporate Collections
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Al Held: New Paintings
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Recent Acquisitions: Painting and Sculpture
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Al Held: New Paintings
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Al Held: Paintings and Drawings 1973 – 1978
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Al Held
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Al Held
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Al Held: Neue Bilder und Zeichnungen/Recent Paintings and Drawings
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Surface, Edge and Color
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Al Held: New Paintings
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Al Held
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Al Held
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Al Held [retrospective]
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Al Held
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Al Held: Recent Paintings and Drawings
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Al Held
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Al Held: New Paintings
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Al Held: New Paintings
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Al Held: Recent Paintings
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American Painting 1970
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Al Held: New Paintings
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Al Held: Recent Paintings
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The Pure and Clear: American Innovations
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In Honor of Dr. Martin Luther King, Jr.
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Al Held
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Documenta IV
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Al Held
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Vormen van de Kleur
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Two Decades of American Painting
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Al Held
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Signale: Held, Kelly, Mattmüller, Noland, Olitski, Pfahler, Plumb, Turnball
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Al Held
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Post Painterly Abstraction
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67th Annual American Exhibition: Directions in Contemporary Art
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Annual Exhibition 1963 – Contemporary American Painting
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Toward a New Abstraction
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1961
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American Abstract Expressionists and Imagists
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Programs
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Foundation
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Video
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Contact
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